Ferrari 365 GTB/4 Daytona vs Lamborghini Miura P400S: Classic Comparison
We track down a fully-restored Ferrari 365 GTB/4 Daytona and an unrestored Lamborghini Miura P400S to discover the different driving characteristics of these 2 historically significant supercars.
It is 06:00 AM and the sun is set to rise in the next 30 minutes. It is a very chilly morning, but as we take the cover off the Ferrari Daytona with the Lamborghini Miura parked only a few meters away, an idea that originated from the owner of the Daytona, and which is finally taking shape a year later, warms my heart.
IMAGES: Rob Till
The owner of the Lamborghini Miura only had to drive his car a few km to the event, while the Ferrari Daytona owner had to put his car on a carrier for the 1 500 km trip from Cape Town to Johannesburg.
Fortunately, both owners are true car enthusiasts and, even after a late night and only a few hours of sleep, they are eager and willing to hand me the keys to both cars!
The history of both models – and these 2 specific cars – are poles apart. The germination and subsequent creation of the Lamborghini car company have been well documented. Folklore aside, at the launch of the 350GT in 1964, the car impressed on technical terms with its twin overhead camshafts.
So much so, that Ferrari followed suit with its 3.3-litre 275 GTB/4, which also featured this technology. From there on, competition between the 2 Italian sports- and later, supercar companies intensified.
In 1967, Ferrari developed a Daytona prototype, the flowing bodywork being one of Leonardo Fioravanti’s masterpieces. Originally developed with a 4.0-litre version of the Colombo V12, it was quickly changed to a 4.4-litre and dry-sumped, with no less than 6 Weber carburettors, developing 259 kW at 7 500 rpm.
At Lamborghini, technical guru Giampaolo Dallara, his colleague Paolo Stanzani and road tester Bob Wallace started fleshing out the idea of a GT car that could be a sportscar at the same time.
Dallara was influenced by the Ford GT40s that ran with much success at Le Mans, as well as Alec Issigonis’ (of Mini fame) space-saving ideas, challenging the norm when considering the mounting of the engine and gearbox. The result was a low, GT40-ish aerodynamic shape, with the engine mounted transversely behind the passenger compartment and transmission mounted low at the engine’s sump.
Although this layout had been used previously for racing cars, at that time it would be a first for a road car. Called the P400 (P standing for posterior, meaning rear), the completed project was shown in Italy (where else!) at the 1965 Turin Motor Show.
Whereas the Ferrari Daytona and Lamborghini Miura were seen as competitors when they were launched, today these 2 blue examples portray 2 very different approaches to the sportscar theme…
Driving the Ferrari Daytona
I first settle in behind the wheel of the Daytona, and immediately find it a comfortable and rather relaxing environment. The single-piece seat is tilted slightly rearward, but even so, I can move it forward towards the steering wheel, and the beautiful chromed gearlever with the black gearknob is immediately perfectly within reach.
Specifications:
- Model: 1969 Ferrari 365 GTB/4 “Daytona”
- Engine: 4.4-litre V12, naturally aspirated
- Power: 259 kW at 7 500 rpm
- Torque: 431 Nm at 5 500 rpm
- Transmission: 5-speed manual, RWD
- Weight: 1 280 kg
- 0-100 km/h: 5.7 sec (claimed)
- Top speed: 280 kph (claimed)
As the car received a full restoration a number of years ago, it is in immaculate condition (and famously achieved an overall 2nd place at Concours SA). I twist the ignition key and, with all the cylinders firing and the exhaust pipes burbling, I add a few revs, release the clutch pedal and pull away oh-so-smoothly.
Switching through the precise, open gate, the lever slips into each gear with just the right amount of effort you would expect from this supercar-cum-grand-tourer. The car feels like new, and the attention to detail of the restoration is staggering, right down to the correct sticker on the exhaust pipes.
The leather-covered roof, door cards and transmission tunnel lend the cabin a luxurious feel while the suede leather dashboard highlights the Daytona’s sporting pedigree. Here you’ll also find the trademark vertical levers for the ventilation system. Behind the seats are neat leather straps to keep luggage securely in place when the need arises to open up the V12 on those special, extended road trips.
The instrument panel dates from a time when ergonomic efficiency was less important than nowadays. Having said that, it is easier to read and analyse the various dials than in some modern machinery. There are no fewer than 8 dials; however, the 2 large, outer dials that indicate the revs and speed are of most importance and can be read at a glance.
It only takes a few hundred metres to realise that there’s more than sufficient torque and power on tap. The rev needle rises elastically up to and beyond 5 000 rpm. From this point on, the engine performs at its best. It does so in a fairly linear and relaxing way, while a quick blip of the throttle on the downshifts greatly assists in making smoother gearshifts.
While I almost want to say 1 wouldn’t expect any less from a Ferrari V12, another unexpected highlight is the steering, which offers such a welcome level of feedback – at any speed! Unlike today’s electrically assisted systems, you can feel kickback and, to a degree, how the front axle loads up through corners.
As you look through the windscreen, you realise there is a long, sloping nose up ahead, hiding a gem of a V12 that’s raring to munch miles. Adding to this sense of occasion is the alluring sight directly in front of you: the NACA air outlet for the 1 side of the engine bay (the passenger can see the other on their side).
When parked again, I slowly stroll around the Prancing Horse to drink in its exquisite exterior design and, apart from the flowing lines and the cabin being gently pushed towards the rear, how the rear side-windows curve towards the C-pillars strikes a particularly graceful tone. Daytona gurus will also notice the Prancing Horse in the side indicators – a feature that Ferrari would surely charge extra for today.
The fact that the car is Azzurro Metallizzato blue is another very attractive feature, rather than the red we so often see on Ferraris. On the chassis plate, in the beautifully cleaned and detailed engine bay, the chassis is indicated as number 12193 and the engine number as 251.
What is the Lamborghini Miura like to drive?
Even if your enthusiasm and love for cars are rooted in Ferrari, one undoubtedly must appreciate the design and heritage the Miura started not only for Lamborghini, but for the supercar genre as a whole.
Specifications:
- Model: 1970 Lamborghini Miura P400S
- Production years: 1968–71
- Units produced: 338 (of the P400 S)
- Engine: 3.9-litre, V12
- Power: 276 kW at 7 500 rpm
- Torque: 388 Nm at 5 500 rpm
- Gearbox: five-speed, manual, RWD
- 0-100 kph: 5.5 sec (claimed)
- Top speed: 282 kph (claimed)
Before I get behind the wheel, we lift the large, single-piece engine cover. Immediately, we are treated to a full view of the transversely mounted engine, the chassis (complete with the legendary hollowed-out structural chassis members in places) and anti-roll bar running between the wheels, behind the engine. The engine bay is tightly packed, and the owner admits it can be a real challenge to service that V12.
The chassis plate of the Lamborghini Miura, which has the same design and layout as that of the Ferrari Daytona, indicates the type, P400 XN 712, the engine number, 30 60 3, and the chassis number 4836.
Being shoehorned into such a small space, the close proximity of the engine and carburettors to the cockpit window means I look forward to copious amounts of intake noise. And, honestly, I can’t wait.
At the front, the “eyelashes” are a legendary Miura feature (“although they’re omitted from the P400SV variant,” anoraks will point out), while the air intakes behind the side windows feed air to the engine bay.
Open both doors completely, step back from the front of the car, and it looks like a bull with its horns sticking into the air – that is, apparently, exactly the look the designers were going for…
I can confirm that this Miura hasn’t been restored. While it has evidently been cared for over the years, it still possesses that wonderful patina that only comes with age. In a select few places, it shows its age, but keep in mind that interest in and value of unrestored cars have increased over the past few years.
Indicating its original 72 000 km, the Miura is 100% original, and its engine has also never been opened. The owner has kept this car running with little effort over the years: “The front has been repainted, and I’ve replaced the bushes, starter motor and fuel pump, that’s it. Obviously, I service it, but other than that, it has not missed a beat.”
The notoriously challenging driving position is exactly that. I’m almost 1.9 metres tall and I fit only when I move slightly down in the seat. But it is still a very unique driving position with my legs poking upwards on either side of the steering wheel, my arms stretched out in front of me holding the wheel between my knees. Considering the comfy driving positions of modern cars, we’ve come far in the past 50 years!
Needless to say, it is an unforgettable experience. Shifting gears is probably one of the few similarities between these 2 cars. The open gate of the Miura looks as inviting as that of the Ferrari, and you also need a firm action to move between gears, marginally more so here than in the Daytona. However, unlike the Daytona’s dog-leg 1st gear, the Miura has a conventional H-pattern ‘box, and every shift is an event.
I first let all the fluids warm up, and immediately obvious is the main difference between these 2 cars –the drivetrain layout and the effects thereof. In the Miura, you feel slightly more connected to the car.
It also feels as if you sit slightly closer to the nose of the car. As the front wings are very pronounced, you notice them from behind the wheel, especially since the bodywork drops away towards those air outlets.
I start changing gears at higher revs. Below 2 000 rpm, the V12 isn’t happy, but then it comes alive and, from 4 000 rpm, pulls vigorously to the redline. I quickly pass 160 kph before tapping off; I do not doubt that when the road is long enough, the Miura will push past 250 kph – that’s how muscular it feels.
You can hear – and feel – the engine working hard, not only because the V12 is situated so close to you, but whereas modern engines are “sound-engineered”, this lump was simply designed to deliver optimal performance. But, as is the case with the Daytona, passers-by will benefit most from this mechanical symphony, as the Miura’s exhaust note can be thoroughly enjoyed when the Lambo wooshes past you.
Taking those narrow tyres into consideration, I am surprised by how eager the Miura turns in – probably also since I didn’t expect this behaviour from such a venerable V12-engined car. You have to use some muscle power to manoeuvre the car, but in the end it is very engaging, although at times awkwardly so.
It also doesn’t take long to realise you will fairly quickly reach the Sant’Agata supercar’s handling limits. The Lamborghini Miura also encourages you to drive it maybe a bit harder than the Ferrari Daytona, as body roll is more evident in the grand-tourer-packaged latter than in the more composed former.
The clutch is a bit heavy, but not more so than I expected. I thoroughly enjoy every moment and wish that there was a deserted mountain pass close by – how can one not want to drive this supercar through some beautiful twisties, swapping gears and making the most of the turn-in and mid-engine layout.
Maybe I’m starstruck, but when I stand next to a Miura when it’s parked between several other beautiful cars, including an F40, I get almost as much satisfaction from looking at it as I did during my brief spell behind its ‘wheel. For a moment, I feel like the actor Rossano Brazzi must have felt at the start of the 1969 cult movie The Italian Job. How much more special must it feel to have owned this car for 25 years!
Verdict
These cars were arch-enemies when they were new, but half a century later, opinions and points of view have changed. Today, the Ferrari Daytona and Lamborghini Miura are celebrated for what they are and represent. Even though they tip the scales at similar weights and there’s little difference between their V12’s outputs, the Daytona is not a supercar, but an exceptionally elegant, spacious and powerful GT.
In line with these characteristics, its engine is also more tractable lower in the rev range than the Lamborghini, although this could also be attributed to the full restoration it received. The Miura ticks almost as many GT boxes, but is ultimately more of a sportscar – and more involving to drive than the Daytona. You feel more connected to the car, and it encourages you to drive it hard through corners.
Meet Peter Bailey, the SA man who owned 2 Lamborghini Miuras!
Before we leave, I ask the owner of the Daytona if he has seen the movie The Gumball Rally? He replies: “No.” Right there and then, I “gave him some homework”. One cannot own a Daytona and not have watched that movie; watching Raul Julia make that V12 howl is an aural delight that must be savoured.
Piloting any V12-powered Italian sports- or supercar is an exceptional and emotional experience, but the Ferrari Daytona and Lamborghini Miura must surely rank as some of the finest.
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